{"id":23116,"date":"2022-01-05T17:16:21","date_gmt":"2022-01-05T17:16:21","guid":{"rendered":"https:\/\/assignmenttutors.net\/blog\/engl-102-test-3-english-homework-help\/"},"modified":"2022-01-05T17:16:21","modified_gmt":"2022-01-05T17:16:21","slug":"engl-102-test-3-english-homework-help","status":"publish","type":"post","link":"https:\/\/assignmenttutors.net\/blog\/engl-102-test-3-english-homework-help\/","title":{"rendered":"Engl 102 test 3 | English homework help"},"content":{"rendered":"<div>\n<p>\u00a0\u00a0<\/p>\n<p><strong>Question 1\u00a0<\/strong><\/p>\n<ol>\n<li>Choose one word that best explains \u00a0\u00a0\u00a0\u00a0\u00a0why the people have rejected the \u201cmultitude of mercy\u201d offered by the \u00a0\u00a0\u00a0\u00a0\u00a0speaker?<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Humanism<\/p>\n<p>\u00a0<\/p>\n<p>Pleasure<\/p>\n<p>\u00a0<\/p>\n<p>Materialism<\/p>\n<p>\u00a0<\/p>\n<p>Science<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 2\u00a0<\/strong><\/p>\n<ol>\n<li>Choose one word that best \u00a0\u00a0\u00a0\u00a0\u00a0describes how the speaker feels about those of whom he speaks.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Indifferent<\/p>\n<p>\u00a0<\/p>\n<p>Disappointed<\/p>\n<p>\u00a0<\/p>\n<p>Shame<\/p>\n<p>\u00a0<\/p>\n<p>Apathetic<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 3\u00a0<\/strong><\/p>\n<ol>\n<li>Death\u2019s vow to search for \u201cboth \u00a0\u00a0\u00a0\u00a0\u00a0great and small,\u201d never to relax at any point, means that<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Death is universal \u00a0\u00a0and inescapable.<\/p>\n<p>\u00a0<\/p>\n<p>Humanity is at war \u00a0\u00a0with death.<\/p>\n<p>\u00a0<\/p>\n<p>Cruelty is all \u00a0\u00a0Death knows.<\/p>\n<p>\u00a0<\/p>\n<p>Death is cruel to \u00a0\u00a0both great and small.<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 4\u00a0<\/strong><\/p>\n<ol>\n<li>The speaker characterizes the \u00a0\u00a0\u00a0\u00a0\u00a0\u201ccreatures\u201d about whom he speaks as __________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>physically blind<\/p>\n<p>\u00a0<\/p>\n<p>spiritually poor \u00a0\u00a0and lost<\/p>\n<p>\u00a0<\/p>\n<p>successful<\/p>\n<p>\u00a0<\/p>\n<p>deists<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 5\u00a0<\/strong><\/p>\n<ol>\n<li>According to the excerpt, \u00a0\u00a0\u00a0\u00a0\u00a0__________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>evil is popular and \u00a0\u00a0well-spoken of.<\/p>\n<p>\u00a0<\/p>\n<p>pride goeth before \u00a0\u00a0the fall.<\/p>\n<p>\u00a0<\/p>\n<p>people acknowledge \u00a0\u00a0God.<\/p>\n<p>\u00a0<\/p>\n<p>people pray to God \u00a0\u00a0for deliverance from evil.<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 6\u00a0<\/strong><\/p>\n<ol>\n<li>Episodic Bible \u00a0\u00a0\u00a0\u00a0\u00a0stories were the sources of miracle plays. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 7\u00a0<\/strong><\/p>\n<ol>\n<li>Which character in Everyman says \u00a0\u00a0\u00a0\u00a0\u00a0to Everyman: &#8220;Fear not; I will speak for thee.&#8221;<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Good Deeds<\/p>\n<p>\u00a0<\/p>\n<p>Goods<\/p>\n<p>\u00a0<\/p>\n<p>Knowledge<\/p>\n<p>\u00a0<\/p>\n<p>Beauty<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 8\u00a0<\/strong><\/p>\n<ol>\n<li>Confession gives Everyman a<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>vow<\/p>\n<p>\u00a0<\/p>\n<p>scourge<\/p>\n<p>\u00a0<\/p>\n<p>petition<\/p>\n<p>\u00a0<\/p>\n<p>voucher<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 9\u00a0<\/strong><\/p>\n<ol>\n<li>The name &#8220;Oedipus&#8221; means \u00a0\u00a0\u00a0\u00a0\u00a0swollen hand. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 10\u00a0<\/strong><\/p>\n<ol>\n<li>In the play Oedipus the Chorus \u00a0\u00a0\u00a0\u00a0\u00a0say: \u201cMajestic Oedipus! \/ No prince in Thebes had ever such renown, \/ No \u00a0\u00a0\u00a0\u00a0\u00a0prince won such grace of power. \/ And now of all men ever known \/ Most \u00a0\u00a0\u00a0\u00a0\u00a0pitiful is this man\u2019s story: \/ His fortunes are most changed, his state \/ \u00a0\u00a0\u00a0\u00a0\u00a0Fallen to a low slave\u2019s \/ Ground under bitter fate.\u201d \u00a0The excerpt \u00a0\u00a0\u00a0\u00a0\u00a0uses __________ as its organizing principle.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Opposites<\/p>\n<p>\u00a0<\/p>\n<p>Cause and effect \u00a0\u00a0argument<\/p>\n<p>\u00a0<\/p>\n<p>Verisimilitude<\/p>\n<p>\u00a0<\/p>\n<p>Analogy<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 11\u00a0<\/strong><\/p>\n<ol>\n<li>&#8220;Quem Quoeritis&#8221; means \u00a0\u00a0\u00a0\u00a0\u00a0&#8220;Whom Do You Seek.&#8221;<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 12\u00a0<\/strong><\/p>\n<ol>\n<li>Greek tragedy encouraged the use \u00a0\u00a0\u00a0\u00a0\u00a0of comedy and tragedy in the same play to show the duality of human \u00a0\u00a0\u00a0\u00a0\u00a0nature.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 13\u00a0<\/strong><\/p>\n<ol>\n<li>Greek actors used giant masks to \u00a0\u00a0\u00a0\u00a0\u00a0indicate their character types or emotions.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 14\u00a0<\/strong><\/p>\n<ol>\n<li>In Everyman, who does not speak?<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>God<\/p>\n<p>\u00a0<\/p>\n<p>Everyman<\/p>\n<p>\u00a0<\/p>\n<p>Faith<\/p>\n<p>\u00a0<\/p>\n<p>Death<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 15\u00a0<\/strong><\/p>\n<ol>\n<li>Which convention is a device for \u00a0\u00a0\u00a0\u00a0\u00a0rolling out onto the stage evidence of actions which cannot be depicted on \u00a0\u00a0\u00a0\u00a0\u00a0stage?<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>antigone<\/p>\n<p>\u00a0<\/p>\n<p>strophe<\/p>\n<p>\u00a0<\/p>\n<p>parados<\/p>\n<p>\u00a0<\/p>\n<p>parados<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 16\u00a0<\/strong><\/p>\n<ol>\n<li>Miracle plays became obsolete \u00a0\u00a0\u00a0\u00a0\u00a0largely from the re-emergence of Roman models of drama. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 17\u00a0<\/strong><\/p>\n<ol>\n<li>Strength speaks in Everyman \u00a0\u00a0\u00a0\u00a0\u00a0saying: \u201cYou spend your speech and waste your brain.\u201d In context, this \u00a0\u00a0\u00a0\u00a0\u00a0means that<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>One is entitled to \u00a0\u00a0free speech.<\/p>\n<p>\u00a0<\/p>\n<p>Time has passed for \u00a0\u00a0action.<\/p>\n<p>\u00a0<\/p>\n<p>Strength does not \u00a0\u00a0care. Effort is useless.<\/p>\n<p>\u00a0<\/p>\n<p>Idleness is the \u00a0\u00a0result.<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 18\u00a0<\/strong><\/p>\n<ol>\n<li>The Greek scene (skene) building \u00a0\u00a0\u00a0\u00a0\u00a0had no drop curtain.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 19\u00a0<\/strong><\/p>\n<ol>\n<li>Greek audiences had a knowledge of \u00a0\u00a0\u00a0\u00a0\u00a0Homer&#8217;s works.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 20\u00a0<\/strong><\/p>\n<ol>\n<li>Goods states in the play Everyman: \u00a0\u00a0\u00a0\u00a0\u00a0\u201cWho calleth me? Everyman? What hast thou hast! \/ I lie here in corners, \u00a0\u00a0\u00a0\u00a0\u00a0trussed and piled so high, \/ And in chest I am locked so fast, \/ Also \u00a0\u00a0\u00a0\u00a0\u00a0sacked in bags, thou mayst see with thine eye, \/ I cannot stir; in packs \u00a0\u00a0\u00a0\u00a0\u00a0low I lie. \/ What would ye have, lightly me say.\u201d \u00a0<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0Words and phrases such as \u201ctrussed,\u201d \u201clocked,\u201d \u201csacked in bags,\u201d and \u00a0\u00a0\u00a0\u00a0\u00a0\u201ccannot stir\u201d allude to someone who is<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>A miser<\/p>\n<p>\u00a0<\/p>\n<p>Generous<\/p>\n<p>\u00a0<\/p>\n<p>Princely<\/p>\n<p>\u00a0<\/p>\n<p>Anti-materialist<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 21\u00a0<\/strong><\/p>\n<ol>\n<li>A messenger tells Oedipus that the \u00a0\u00a0\u00a0\u00a0\u00a0king&#8217;s (Oedipus&#8217;s) father, _____, is dead.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Polybos<\/p>\n<p>\u00a0<\/p>\n<p>Kreon<\/p>\n<p>\u00a0<\/p>\n<p>Jokasta<\/p>\n<p>\u00a0<\/p>\n<p>Teiresias<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 22\u00a0<\/strong><\/p>\n<ol>\n<li>In Greek theater, all roles were \u00a0\u00a0\u00a0\u00a0\u00a0performed by males.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 23\u00a0<\/strong><\/p>\n<ol>\n<li>Othello is known to be honest, \u00a0\u00a0\u00a0\u00a0\u00a0open, sincere, and overly trusting.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 24\u00a0<\/strong><\/p>\n<ol>\n<li>In the play Oedipus the Chorus \u00a0\u00a0\u00a0\u00a0\u00a0say: \u201cMajestic Oedipus! \/ No prince in Thebes had ever such renown, \/ No \u00a0\u00a0\u00a0\u00a0\u00a0prince won such grace of power. \/ And now of all men ever known \/ Most \u00a0\u00a0\u00a0\u00a0\u00a0pitiful is this man\u2019s story: \/ His fortunes are most changed, his state \/ \u00a0\u00a0\u00a0\u00a0\u00a0Fallen to a low slave\u2019s \/ Ground under bitter fate.\u201d \u00a0The speaker \u00a0\u00a0\u00a0\u00a0\u00a0uses opposites in this excerpt. \u00a0This is an example of the use of \u00a0\u00a0\u00a0\u00a0\u00a0________________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Contrast.<\/p>\n<p>\u00a0<\/p>\n<p>Cause and effect \u00a0\u00a0argument.<\/p>\n<p>\u00a0<\/p>\n<p>Verisimilitude.<\/p>\n<p>\u00a0<\/p>\n<p>Analogy<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 25\u00a0<\/strong><\/p>\n<ol>\n<li>Greek theatre invented the drop-curtain \u00a0\u00a0\u00a0\u00a0\u00a0device.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 26\u00a0<\/strong><\/p>\n<ol>\n<li>The scene (skene) could not be \u00a0\u00a0\u00a0\u00a0\u00a0used for action because the audience could not see inside it.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 27\u00a0<\/strong><\/p>\n<ol>\n<li>Have you read the syllabus as \u00a0\u00a0\u00a0\u00a0\u00a0posted in this course?<br \/>\u00a0<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Yes<\/p>\n<p>\u00a0<\/p>\n<p>No<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 28\u00a0<\/strong><\/p>\n<ol>\n<li>Bolbus and Nerope are the \u00a0\u00a0\u00a0\u00a0\u00a0childless couple in Oedipus Rex who adopt a child. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 29\u00a0<\/strong><\/p>\n<ol>\n<li>Everyman states in the play \u00a0\u00a0\u00a0\u00a0\u00a0Everyman: \u201c O gracious God, in the high seat celestial, \/ Have mercy on me \u00a0\u00a0\u00a0\u00a0\u00a0in this most need; \/ Shall I have no company from this vale terrestrial \/ \u00a0\u00a0\u00a0\u00a0\u00a0Of mine acquaintance that way to me lead?\u201d<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0In this excerpt, Everyman pleads to God for ________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Longer life and \u00a0\u00a0strength<\/p>\n<p>\u00a0<\/p>\n<p>Help from heaven<\/p>\n<p>\u00a0<\/p>\n<p>Redemption and companionship<\/p>\n<p>\u00a0<\/p>\n<p>Help from above<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 30\u00a0<\/strong><\/p>\n<ol>\n<li>Morality plays flourished until \u00a0\u00a0\u00a0\u00a0\u00a0late in the nineteenth century.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 31\u00a0<\/strong><\/p>\n<ol>\n<li>Ancient drama grew out of the \u00a0\u00a0\u00a0\u00a0\u00a0religious ceremonies of the ancient Greeks.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 32\u00a0<\/strong><\/p>\n<ol>\n<li>Richard Caxton printed <em>Everyman<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0in English in the early 1600&#8217;s.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 33\u00a0<\/strong><\/p>\n<ol>\n<li>Everyman states in the play \u00a0\u00a0\u00a0\u00a0\u00a0Everyman: \u201c O gracious God, in the high seat celestial, \/ Have mercy on me \u00a0\u00a0\u00a0\u00a0\u00a0in this most need; \/ Shall I have no company from this vale terrestrial \/ \u00a0\u00a0\u00a0\u00a0\u00a0Of mine acquaintance that way to me lead?\u201d<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0In this excerpt, Everyman pleads to God to allow help from ________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Extraterrestrial \u00a0\u00a0forces<\/p>\n<p>\u00a0<\/p>\n<p>Heaven<\/p>\n<p>\u00a0<\/p>\n<p>Earth<\/p>\n<p>\u00a0<\/p>\n<p>Angels<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 34\u00a0<\/strong><\/p>\n<ol>\n<li>Goods states in the play Everyman: \u00a0\u00a0\u00a0\u00a0\u00a0\u201cWho calleth me? Everyman? What hast thou hast! \/ I lie here in corners, \u00a0\u00a0\u00a0\u00a0\u00a0trussed and piled so high, \/ And in chest I am locked so fast, \/ Also \u00a0\u00a0\u00a0\u00a0\u00a0sacked in bags, thou mayst see with thine eye, \/ I cannot stir; in packs \u00a0\u00a0\u00a0\u00a0\u00a0low I lie. \/ What would ye have, lightly me say.\u201d \u00a0In context, this \u00a0\u00a0\u00a0\u00a0\u00a0best satirizes\u00a0<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Savings\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Wealth\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Generosity\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Materialistic \u00a0\u00a0devotion to gathering goods\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 35\u00a0<\/strong><\/p>\n<ol>\n<li>Goods states in the play Everyman: \u00a0\u00a0\u00a0\u00a0\u00a0\u201cWho calleth me? Everyman? What hast thou hast! \/ I lie here in corners, \u00a0\u00a0\u00a0\u00a0\u00a0trussed and piled so high, \/ And in chest I am locked so fast, \/ Also \u00a0\u00a0\u00a0\u00a0\u00a0sacked in bags, thou mayst see with thine eye, \/ I cannot stir; in packs \u00a0\u00a0\u00a0\u00a0\u00a0low I lie. \/ What would ye have, lightly me say.\u201d \u00a0<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0Words and phrases such as \u201cI lie,\u201d \u201ctrussed,\u201d \u201clocked,\u201d and \u201ccannot stir\u201d \u00a0\u00a0\u00a0\u00a0\u00a0allude to the truth of the popular adage that<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>\u201cyou can\u2019t take it \u00a0\u00a0[wealth] with you [when you die]\u201d<\/p>\n<p>\u00a0<\/p>\n<p>\u201cmoney is the be \u00a0\u00a0all and end all\u201d<\/p>\n<p>\u00a0<\/p>\n<p>\u201cmoney is the fuel \u00a0\u00a0of life\u201d<\/p>\n<p>\u00a0<\/p>\n<p>\u201cmoney is power\u201d<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 36\u00a0<\/strong><\/p>\n<ol>\n<li>A function of the Greek chorus was \u00a0\u00a0\u00a0\u00a0\u00a0to reveal the lead character&#8217;s thoughts.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 37\u00a0<\/strong><\/p>\n<ol>\n<li>Because so much of the Greek \u00a0\u00a0\u00a0\u00a0\u00a0population desired to enjoy the benefits of royalty, there were often \u00a0\u00a0\u00a0\u00a0\u00a0on-stage conflicts between actors playing commoners and kings.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 38\u00a0<\/strong><\/p>\n<ol>\n<li>The Greek stage was limited in the \u00a0\u00a0\u00a0\u00a0\u00a0use of props and scenery. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 39\u00a0<\/strong><\/p>\n<ol>\n<li>The end of a Greek play is called \u00a0\u00a0\u00a0\u00a0\u00a0Exodos.\n<p>\u00a0<\/p>\n<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 40\u00a0<\/strong><\/p>\n<ol>\n<li>Antigone and Ismene are Oedipus&#8217; \u00a0\u00a0\u00a0\u00a0\u00a0daughters.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 41\u00a0<\/strong><\/p>\n<ol>\n<li>The beggar in &#8220;Quem \u00a0\u00a0\u00a0\u00a0\u00a0Quoeritis&#8221; pleads that he be included in Christ&#8217;s resurrection. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 42\u00a0<\/strong><\/p>\n<ol>\n<li>Dionysus was the god of dance.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 43\u00a0<\/strong><\/p>\n<ol>\n<li>Both men and women served in the \u00a0\u00a0\u00a0\u00a0\u00a0Greek chorus.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 44\u00a0<\/strong><\/p>\n<ol>\n<li>According to Greek theater, it is \u00a0\u00a0\u00a0\u00a0\u00a0not any extrinsic problem or challenge that determines outcome.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 45\u00a0<\/strong><\/p>\n<ol>\n<li>Setting can be a determining \u00a0\u00a0\u00a0\u00a0\u00a0influence of a story. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 46\u00a0<\/strong><\/p>\n<ol>\n<li>Have you read the information \u00a0\u00a0\u00a0\u00a0\u00a0provided through the Student Expectations link?<br \/>\u00a0<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Yes<\/p>\n<p>\u00a0<\/p>\n<p>No<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 47\u00a0<\/strong><\/p>\n<ol>\n<li>Sophocles is noted for his clear \u00a0\u00a0\u00a0\u00a0\u00a0and logical action that used political, religious, and personal elements.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 48\u00a0<\/strong><\/p>\n<ol>\n<li>Goods speaks in the play Everyman \u00a0\u00a0\u00a0\u00a0\u00a0saying: \u00a0\u201cWho calleth me? Everyman? What hast thou hast! \/ I lie here \u00a0\u00a0\u00a0\u00a0\u00a0in corners, trussed and piled so high, \/ And in chest I am locked so fast, \u00a0\u00a0\u00a0\u00a0\u00a0\/ Also sacked in bags, thou mayst see with thine eye, \/ I cannot stir; in \u00a0\u00a0\u00a0\u00a0\u00a0packs low I lie. \/ What would ye have, lightly me say.\u201d<br \/>\u00a0\u00a0\u00a0\u00a0\u00a0An inanimate object, Goods, speaks in this excerpt. \u00a0This technique \u00a0\u00a0\u00a0\u00a0\u00a0is called ____________.<\/li>\n<\/ol>\n<p>\u00a0\u00a0<\/p>\n<p>Assonance<\/p>\n<p>\u00a0<\/p>\n<p>Alliteration<\/p>\n<p>\u00a0<\/p>\n<p>Alliteration<\/p>\n<p>\u00a0<\/p>\n<p>Personification<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 49\u00a0<\/strong><\/p>\n<ol>\n<li>With the decline and fall of Rome, \u00a0\u00a0\u00a0\u00a0\u00a0drama &#8211; either as an institution or a literature &#8211; ceased to exist. <br \/>\u00a0<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<p>1.6 points \u00a0\u00a0<\/p>\n<p><strong>Question 50\u00a0<\/strong><\/p>\n<ol>\n<li>The Greeks were a war-like culture \u00a0\u00a0\u00a0\u00a0\u00a0and enjoyed seeing bloodshed on the stage.<\/li>\n<\/ol>\n<p>True\u00a0<\/p>\n<p>False\u00a0<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0\u00a0 Question 1\u00a0 Choose one word that best explains \u00a0\u00a0\u00a0\u00a0\u00a0why the people have rejected the \u201cmultitude of mercy\u201d offered by the \u00a0\u00a0\u00a0\u00a0\u00a0speaker? \u00a0\u00a0 Humanism \u00a0 Pleasure \u00a0 Materialism \u00a0 Science 1.6 points \u00a0\u00a0 Question 2\u00a0 Choose one word that best \u00a0\u00a0\u00a0\u00a0\u00a0describes how the speaker feels about those of whom he speaks. \u00a0\u00a0 Indifferent \u00a0 Disappointed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-23116","post","type-post","status-publish","format-standard","hentry","category-education"],"_links":{"self":[{"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/posts\/23116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/comments?post=23116"}],"version-history":[{"count":0,"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/posts\/23116\/revisions"}],"wp:attachment":[{"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/media?parent=23116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/categories?post=23116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/assignmenttutors.net\/blog\/wp-json\/wp\/v2\/tags?post=23116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}